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Françoise, a thirty-year-old single typist lives only for her Sunday release. On this day, she attends a horse race under pretext of perfecting her taste for elegance and refinement. Georges, a neighbor widower, begins to court her.

Two French advertising agencies vying for a contract with a manufacturer of washers. The manager decides to hire the agency submitting the best advertising campaign. Jean Francois, head of the A.P.N., has the great idea of looking for an authentic Portuguese washerwoman to present the ads. But competition, the O.P.I., led by the attractive Catherine, on a trip to Portugal, check the washer ideal. It is a shy girl who is happy with life in Portugal and refuses to accept the proposals of Catherine. And here intervenes Jean François, who pretends to fall for her to take her to Paris ..

Antoine Fournier, a language teacher at a secondary school in Lille, was disgraced by four young men he had caught stealing money from a charity collection. Dismissed from the teaching profession, Fournier found a job as a porter in a Monte Carlo palace through his wartime friend Ansaldi. A few years later, when he became the first concierge, the "man with the golden keys", chance brought him into the presence of the young men, married but as Machiavellian as ever. He won't take revenge on them, but their baser instincts will.

The renowned theatre manager, Paul Rémy, is accused by his general secretary Andrieux of having killed his partner. On the advice of his wife Mona, Paul goes into hiding in a psychiatric hospital to escape from the police. But Andrieux seduces Mona who then turns against her husband.

Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.

The life story of famed French aviatrix Helene Boucher is detailed in Horizons sans fin (Endless Horizons). Giselle Pascal stars as Boucher, who is first seen in 1930, leaving her millinery shop behind in favor of the wild blue yonder. Though the world of aviation was still essentially an all-male one (despite England's Amy Johnson and America's Amelia Earhart), Boucher perseveres, eventually breaking all existing male and female speed and height records. A bit slow on the uptake in the dramatic scenes, the film soars (no pun intended) during the aerial sequences. Horizons san Fin was the winner of the Catholic Award at the 1953 Cannes Film Festival.

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

After being hurt in the face, Count de Roger Tinchebraye is forced to hide his disfigured face behind a leather mask. Dispirited for a while, he decides to become a Casanova-like seductor. When he meets true love, cynical Roger does not believe in it and lets pure Judith marry an old marquis. But once Judith's husband dies, he sees Judith again, shows her his disfigured face, which does not discourage the young woman from loving him. Nevertheless, he distances himself from her forever

Discharged, catholic priest Pellegrin is back to his cure of Sableuse .But the castle has been sold to Nouveaux Riches,the Cousinet ,whereas the former owners ,Monsieur De Sableuse and his son,have settled in the outhouse.

Paul Dorgères, a wealthy industrialist, has been mysteriously murdered. The investigation is entrusted to the experienced Chief Inspector Bonnardel and his young rookie assistant, Inspector Richard. Suspicion turns to his mistress Catherine Villard, with whom he had just broken up on the night of the crime. She is soon arrested and charged. However, Inspector Richard discovers a button at the scene of the crime which could help him to trace the trail and confound the culprit(s).
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