
Norman James Kaye (17 January 1927 – 28 May 2007) was an Australian actor and composer. He was best known for his roles in the films of director Paul Cox. As an actor, he was strongly associated with the films of Paul Cox, appearing in 16 of them. He had small roles in Cox's Illuminations (1976) and Kostas (1979), and shared the lead with Wendy Hughes in Cox's 1982 film Lonely Hearts and the lead...
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The Remarkable Mr Kaye is a blatantly biased portrait by filmmaker Paul Cox about the life of Norman Kaye - actor, musician and compassionate lover of life. Norman Kaye and Paul Cox first met in Melbourne in 1967. Norman, a music teacher and 'after hours' actor and Paul, a stills photographer, discovered in each other a mutual desire to explore their ideas and dreams through film. So began a 36-year working relationship that ceased only as the curtains of Alzheimer's Disease gradually closed around Kaye. There are few films by Paul Cox that are without some significant contribution, on-screen or off, by Kaye. Whether as lead actor or in a supporting role; as composer or performer, Kaye influenced everyone around him with guileless enthusiasm and humour. The Remarkable Mr Kaye includes film extracts and personal memories in a moving film that is homage to friendship and a creative partnership that shaped and changed Paul Cox's life.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

A talking Terrier with impressive computer skills teams up with two youngsters to stop a million dollars from falling into the wrong hands.

In Sydney, the newly married Midori is honeymooning with her husband, Yukio. She does not love him and fakes her own kidnapping to escape the marriage. Her lover is supposed to meet her, but fails to appear. She goes to a bank to get some cash, only to become a hostage in an unfolding robbery, until the getaway driver, Colin, saves her from his fellow robbers. They hit the road together, with the cops, her husband and the robbers in pursuit.

This caustic Australian comedy is meant to burn those commercial interests who sponsor artists for tax breaks. It also a sexually unresponsive wife's revenge against her cheating husband. Heiress Georgina Oliphant, the daughter of pharmaceutical magnate George Oliphant is on a mission to find a sculptor suitable of her father's sponsorship. Normally, George doesn't give a hoot about art, but tax time approaches and he needs a big deduction. Since large bronze statues are 100% deductible, that's what he wants. Georgina comes through with the lesbian sculptor Lily Carmichael who suggests a detailed male nude, sans fig leaf. For her model, lily chooses unemployed hunk Karl-Heinz Applebaum who at first doesn't realize he is to model totally nude. Fortunately, coquettish Georgina is around to convince him to shed those clothes.

When Peter Costello is exiled to a deserted island for stealing sheep, Mary, a maid, decides to join him there.

Detective James Quinlan has left his alcoholic wife, sprouting a bloom of insecurity, anger and self-motivation within him to expose the corrupt police force that surrounds him. He abandons his straight life to join his partner Detective Church in order to get on the inside of the circle of double-agents. He secretly sides with a reporter and an Internal Affairs lawyer to expose them to the press.

When he discovers the world is about to end, a lovestruck teen makes it his mission to bed the girl he has fallen for.

In this moody black and white drama, very much in the mode of the American "western," but with its own film noir characteristics, a whole town is heaved out of its doldrums when a pair of mysterious strangers come visiting. In the beginning of the film, Angel is traveling with his friend Max on a ship to Honeyfield, a town on the coast of Australia. He is coming home to die. Instead, he dies on board the ship, willing his boots to Angel, and an unopened package to someone called "The Dead Man," in Honeyfield. Also on the ship is a man named Tatts, a far less pleasant personality. When Angel gets off to head into Honeyfield, Tatts decides to follow along unseen. The package, Angel was told, contains something its intended recipient has been looking for without knowing it. On finding the recipient, a mean-spirited old man who is more or less the boss and owner of the town, he learns that the package contains opium.

Two women escape to the mountains where they enjoy each others company, apparently disappointed with their male partners.
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