
Mitsui Koji ( March 6, 1910 - April 20, 1979 ) was a Japanese actor. His real name was Mitsui Hikohide. After the war, he played an active role as a supporting actor in films directed by Akira Kurosawa and Yasujiro Ozu . His former stage name was Mitsui Hideo. Changed his stage name to Mitsui Koji in Ozu's Hen in the Wind (1948) . His role as the playboy Kisaburo in Kurosawa Akira 's The Lower De...
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A group of prisoners attempts to break the Abashiri prison. This film can be considered a sequel to the Abashiri Bangaichi series, written and directed by Ishii Teruo. The friendship between two men on death row, a fleeting love affair with a traveling dancer and a deadly battle with the real culprit who has hunted him down filmed over a long period of time on location in Hokkaido.

One day an innocent-looking girl in white clothes appears on board of a ramshackle boat The owner of the boat, Okin, decides to let Mari stay with him without asking her any questions. Turmoil ensues with the reaction of the crew when the runaway girl starts working alongside with them.

The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Owner and workers of a tiny medicine factory fall in love with a lovable girl.

A teenage goldsmith with a dark past tragically falls in love with a young nude model.

After an argument with his father a son leaves his home and comes back only, as an adult, many years later just to cause them problem after problem.

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

This is a film adaptation of a popular NHK drama that depicts a strong-willed woman, Hana, who lives a lively life while being swept up in the waves of the Meiji, Taisho, and Showa eras.

Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.
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