Chor Yuen

A full journey from the beginning of "Swordplay" movies in Shanghai, growth in Hong Kong cinemas in the 60's and 70's and Ang Lee's epic "Crouching Tiger, Hidden Dragon" in 2000. The series also features interviews with such luminaries including John Woo, Chu Yuen, Lau Ka Leung, Gordon Lau Ka Fai, Sammo Hung, David Chiang and Cheng Pei Pei.

Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

A look at the martial arts and kung fu cinema of Hong Kong

Fong (Miriam Yeung) is already at odds with Wu (Edison Chen), one of her bosses at an ad agency, when she makes a major mistake at work that puts her job on the line. To save herself, she feigns pregnancy, which, under Hong Kong law, means she cannot be fired for 10 months. However, while there may be some perks that accompany her "pregnancy," she is eventually forced to concoct increasingly elaborate lies and involve everyone around her in the charade.

During hard times in the Hong Kong film industry, an out-of-work actor talks a producer, writer, and an actor into making a movie together. They become gigolos to raise money for the production.

"Those Were the days" speculates on what would happen if a hot international art house director were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.

In order to release his kidnapped sister, sports car mechanic, Chan Foh To, has to defeat a super-criminal street racer.

Teddy Robin Kwan’s 1960s retro musical. A melodrama about two childhood best friends who rise to the top of the Hong Kong pop scene under the influence of their mentor, Johnny K (Teddy Robin Kwan), who once ruled the pop scene himself.

Traditional values and modern ideals clash when an old-fashioned father and his playboy son cannot see eye to eye in this honest look at the sometimes fragile father, son relationship

A police detective (Aaron Kwok) must pose as the son of a millionaire to catch a kidnapping ring. Trouble starts when the policeman's girlfriend starts working for the businessman.