Paul Cavanagh

As the first "blonde bombshell," Mae West reigned supreme and changed the nation's view of women, sex and race — on stage, in films, on radio and television.

Jonathan Drake, while attending his brother's funeral, is shocked to find the head of the deceased is missing. When his brother's skull shows up later in a locked cabinet, Drake realizes an ancient curse placed upon his grandfather by a tribe of South American Jivaro Indians is still in effect and that he himself is the probable next victim.

The Bowery Boys tangle with Scotland Yard, diamond smugglers and a gem-toting canine during an ocean cruise.

A young woman touring Germany is caught between a married symphony conductor and a doctor from back home.

A new social worker at a girls' reformatory discovers that her charges are being used by a group of ancient alchemists, who have insinuated themselves as the prison's chief staffers, to keep themselves alive and free from an insidious petrification, which is already afflicting one of their number.

A retired surgeon starts giving away money to religious causes and his family tries to file suit, claiming that he's incompetent.

Biochemists give fruit-fly serum to a dying woman, with side effects.

Asked by Francis I to tutor his son, Diane de Poitiers becomes the future King Henry II's mistress in 1500s France.

Seeking the whereabouts of international gangster Nick Randall, the US State Department contacts Scotland Yard, as his girlfriend, Angela Booth, is currently in a British prison. Angela has refused to give Nick up to the law, so the combined authorities arrange for Angela to escape, aided by stoolie Gran' Ramsey who is at the same prison. The police will then follow Angela to Nick. Gran' stages the getaway, and the two women, accompanied by a third convict, Marguerite, whose prison-born baby is about to be turned over to welfare authorities. It is up to Gran' to keep the police informed of Angela's movements without being detected by the escapees, until Angela contacts Nick. This film is a reworking of principal footage from the UK film WOMEN WITHOUT MEN (1955), q.v., which, with added new footage (including scenes with original star Beverly Michaels), significantly revises the plot and central characters from a story about a wrongly imprisoned waif to one about a gangster's moll.

A Ha-Ha-Haunted House Has Got 'Em! ...and it's every ghost for himself!