Yekaterina Golubeva

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

The question is, whether Katya Golubeva, an icon of the European underground cinema, determined her fate with the parts she played, or the fate of her characters affected her own fate?

On a summer day, a man, his daughter and his companion arrive at their country house to spend the weekend. The daughter has just moved in with her father, whose attention she desires. The man is tired of his life, and does not know where to find the strength to carry on living. The woman, a violinist, is confused in her priorities - music, love or career. Despite the fact that the man and the woman love each other, their tense relationship is on the brink of collapse.

A drama about a Russian artist who desperately tries to find himself in New York.

During the final winter of WWII, as displaced persons return to their former homes in the Soviet Union, an 8-year-old boy is left alone when his mother dies en route.

An inquiry into the nature of identity, the inevitability of death, and the human condition in the twenty-first century.

No plot available for this movie.

Five Hours. Six Countries. Seven Chapters. Eight Conflicts. Nine Women.

Andreï researches the sonic memory of plants. He has developed a technique for making sounds come back from the past. Andreï wants to keep a tight lid on his discoveries.

977 is a coded number relating the attempt to “test the harmony with algebra”, to figure out the mathematical regularities of emotional and spiritual realms of human being. The characters have volunteered for the experiment to be put through not only scientific researching, but also through the everyday trials of friendship, love, attractions, envy and “the strongest of affects” – the curiosity. Thus, the scientific experience turns into human one, and a result is unpredictable…