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In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.
Stuck in a loveless marriage, bourgeois industrialist Francois falls in love with Janine, another man's wife. Francois sets up Janine as his mistress, and she, mercenary soul that she is, likes the set-up so much that she continues the relationship even when her own husband returns from WW II. In the long run, however, Janine is the loser in the situation.
Madeleine Lebeau, a woman who charges for her easy virtue, has a plan that has some of her customers paying more than others; she tells them she is pregnant and, to avoid complications, the men pay her money and don't hang around for the birth. Yves Furet, a shiftless gambler, who not only encourages her in her business ventures but is also her fiancée, shares the fruit of her non-labor. She latches onto a wealthy widower, Henri Vilbert, who throws her a curve-ball when, after she tells him she is pregnant, he is overjoyed as he has fallen in love with her and is looking forward to becoming a father. She plays along for a while, but becomes ashamed when she sees how Vilbert is devoting his whole life to a child that she isn't carrying. She fakes a miscarriage and his kindness makes her feel guilty and she confesses, but he doesn't believe her. So she tries another plan.
A young, talented and ambitious journalist, Louis heads off to try his luck in Paris. He's spotted by Walter, editor-in-chief for a major daily newspaper, who takes to him and furthers his career. What he doesn't realise is that Louis is ready to betray anyone to achieve his ends...
In a girls boarding-school run by Madame Piégeois, young Gisèle meets, at night, the count of Champrès' son.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
A woman who has a terrible secret to conceal takes refuge on a barge.
A merchant, without audacity with women, is dragged by a friend into the worst marital complications. His setbacks will ultimately pay him off.
Employed in a beauty salon, Amédée must undergo a pentothal injection. The dose is too strong; suddenly Amédée reveals the truth to everyone; to clients of the institute; to his cheating wife; to his boss that he robs; to the tax collector; etc. When the effects of the truth serum wear off, everyone returns contentedly to their little swamp.
A famous poet in postwar Paris, scorned by the Left Bank youth, is in love with both his wife Eurydice and a mysterious princess. Seeking inspiration, the poet becomes obsessed and follows the princess from the world of the living to the land of the dead.
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