Sally Geeson

After twenty years as a struggling variety turn and then a prolific scriptwriter and television star, comic genius Marty Feldman found screen stardom with his very first Hollywood role in Mel Brooks' Young Frankenstein. With his wife Lauretta as the power behind the throne, his rise and fall and decline is related through bittersweet memories of the past and intoxicated infidelities in the present.

June Whitfield takes a look at some of the locations used during the making of the legendary 'Carry On' films.

Celebrating twenty years of classic Carry On films, two of the films’ best-loved stars, Kenneth Williams and Barbara Windsor return to Pinewood film studios to unwrap some rib-tickling moments from the series. From the original, military mayhem of Carry On Sergeant, through to the really ancient archaeological gags of Carry On Behind, our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made.

Local councillor Sidney Fiddler persuades the Mayor to help improve the image of their rundown seaside town by holding a beauty contest. But formidable Councillor Prodworthy, head of the local women's liberation movement, has other ideas. It's open warfare as the women's lib attempt to sabotage the contest.

A group of holidaymakers head for the Spanish resort of Elsbels for a 4-day visit. When they get there, they find the Hotel still hasn't been finished being built, and the weather is awful. And there is something strange about the staff—they all look very similar. To top it all off, the weather seems to be having an adverse affect on the Hotel's foundations.

The legendary Sid James stars as the head of a chaotic household in this movie spin-off from the hit ITV sitcom. Sid Abbott and his best mate Trevor (Peter Butterworth) enjoy home-brewing. Plans to turn their hobby into a profitable, if illicit, sideline come unstuck when a Customs and Excise officer (Terry Scott) moves in next door! What’s more, Sid’s outspoken and madcap family hinder neighbourly relations even further.

A self-absorbed young biologist takes on a six-month research post in Antarctica to study a penguin colony. Alone in Shackleton’s abandoned hut, with only radio contact and letters to his distant girlfriend, he endures the harsh winter and gradually forms a bond with the penguins—discovering resilience, humility, and a new sense of purpose.

In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Evil lurks in the gloomy house at Markham Manor where a deranged Sir Edward is the chained prisoner of his brother Julian. When Sir Edward escapes, he embarks on a monstrous killing spree, determined to seek revenge on all those whom he feels have double-crossed him.