Line Noro

This play by Henry de Montherland, takes place in 1517 and depicts the Cardinal de Cisneros, an authoritarian man approaching his end, regent of the throne of Spain oscillating between his desire for power and his tendency to inaction. Thinking himself invulnerable, he awaits the arrival of young Charles on the throne, but his beliefs will be shaken.

"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

In a little town with a renowned college a female student is found after she was hogtied and strangled to death. Inspector Marco is assigned to catch the murderer.

Saul De Tarse is a Roman soldier who is making rough all over. He arrives at the Golgotha when the apostles remove the cross. He ruthlessly persecutes the Christians, even though they are his own friends.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Jean Michaut is a bargeman who lives nearby an old barge cemetery named "Bras-Mort". He is in love with Monique, the daughter of a wealthy boat owner. The girl returns his affection but runs her head against the wall of her family's class prejudices. Her "nearest and dearest" prove indeed prepared to do everything to separate the two lovers. But Monique will not buy in. On the contrary, she leaves her intolerant family to live with Jean among simple, more tolerant bargemen.

A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.

The struggle of a female doctor against superstition and healers.

A young pilot, Martin, applies for the Ecole Militaire de Salon. He is accused of having caused the accident of one of his bosses, his career is then threatened.