
Stewart Lee is an acclaimed, award winning English stand-up comedian, a writer, columnist, music critic, opera writer and director. In the 1990s he was one half of the comedy duo Lee and Herring, alongside Richard Herring, starring in Fist of Fun and This Morning With Richard Not Judy on BBC2.
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Late at night, with the glow of the TV set illuminating their post-pub comedown, a generation of film fans were transported to wonderful new places by Moviedrome, the BBC's cult film series.

This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.

The unorthodox comedian’s latest act, an introspective look into people, culture and the essence of stand-up itself - all with the iconic Stewart Lee style. Oh, and jazz.

An hour of interviews about the iconic British cinema.

In this brand new show, Lee shares his stage with a tough-talking werewolf comedian from the dark forests of the subconscious. The Man-Wulf lays down a ferocious comedy challenge to the culturally irrelevant and physically enfeebled Lee. Can the beast inside us all be silenced with the silver bullet of Lee’s unprecedentedly critically acclaimed style of stand-up?

Feature documentary from Louis Moir exploring the relationship between comedy and art, and the inner conflicts that lie within. Featuring the director's father Jim Moir, aka Vic Reeves, Spencer Jones, Simon Munnery, Miriam Elia and Bec Hill as they each prepare work for an exhibition.

Rising to fame amid the 1980s alternative comedy boom, Ian Cognito was one of the UK's most popular comedians. His performances left audiences in hysterics - but behind the laughter was a troubled and often controversial figure. This is the story of the comedy scene that nurtured a comedic genius, and the real life of a man famed for his outlandish sense of humour.

Stewart Lee is a ‘snowflake’, and in this hour from his tour, the Bafta-winning comedian illustrates how being ‘woke’ doesn’t mean having to sacrifice freedom of speech.

The Bafta-winning Stewart Lee performs his latest touring show, focusing on a bizarrely erroneous description of his work on Netflix and a mind-boggling review from Alan Bennett.

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.
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