
Leif Andrée was born on 29 January 1958 in Stockholm, Stockholms län, Sweden. He is an actor, known for Tomten är far til alla barnen (1999), Ridder Lykke (2022) and Folk med ångest (2021). He was previously married to Sophia Artin.
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Change is coming to the midsummer party at Barnens ö. There's a rumour that Joey Tempest has moved in next door. Meanwhile the family's youngest member, Alba, has just learned to walk and takes every opportunity to escape from the ever drunker adults.

The loss of a loved one, the grief, the risk of yellow skin, and a coffin, that is too much for Karl to face. Then it's much easier to fix a broken lamp. Karl meets Torben, a destined brother. An absurd, humorous, and melodic meeting between two old men captured by grief.

No plot available for this movie.

Modernised musical theatre version of Hamlet.

Father & Son go up to the croft in the country on Barnens Ö. As they always did, through the years, always together. But this weekend something happens that puts the relationship on edge. It is the hottest day of the summer and once the spark is lit, the fire cannot be stopped. From the flames springs the memory of a young boy, in his world father is still immortal. From the ashes something else is born, a truth no one wants to face.

A mid-age hipster in Stockholm is a training freak and trains for the 90 km ski race Vasaloppet. His sister is the opposite, no job, drinks but has a daughter. Suddenly secrets reveals and promises are made.

A portrait of Benny Fredriksson who for 16 years was CEO of Kulturhuset / Stadsteatern. He also had a background as an actor and director. In connection with a media hunt he resigned and later took his own life.

Fredrik's peaceful life in an idyllic small town is turned upside down when his old childhood friend Patrik is released from prison. Together with Birger, the third member of their old trio, they manage to get lost in a spiral of chaos involving a vindictive policeman, a few grams of weed and a gang of danish robbers.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

Elma, a young writer, gets dumped by her girlfriend. Along her path to recovery, she sets out on a spiritual, physical, and meta-physical odyssey throughout the Swedish countryside. She encounters a number of equally wandering souls, longing for some company on the roads, while the past, present and future of Sweden slowly unravels. —Sao Paulo Film Festival Catalogue
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