Kam Kwok-Leung

A massive explosion and shootout in snowy Causeway Bay, Hong Kong, reveals a pharmaceutical heir's plot. His father's death in hospital triggers a drug war, destabilizing both legitimate and criminal worlds.

A look back at the largely undocumented period of early Chinese-language horror cinema, beginning in Hong Kong and the Shaw Brothers and graduating to Taiwan and the production of Calamity of Snakes in 1983.

Nineteen-year old Ina inherits a sauna and decides to build a new future for the girls working there, but first she needs to confront her father's dangerous past.

Yuan Xiuling, a former star and has-been actress plans to return to the spotlight of the theater a year after her philandering husband died. She decides to star in Two Sisters, written and directed by transwoman An Ouyang. But, her biggest rival, He Yuwen, a rising actress, also stars in the play. Yuwen plans her theatrical debut through it. During the preparation of the play, such a drama unfolds at the backstage as much as on stage. With the opening night at Hong Kong’s City Hall Theater just seven days away, tensions at rehearsal increase and tempers flare as actresses Xiuling and Yuwen’s buried resentments rise to the surface.

An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.

The Empire Hotel is a 30-year-old landmark in Macau's old quarter, inhabited by characters with their own stories and struggles. It is also Maria's home. One day, the burden of keeping lives together and the hotel standing falls on her shoulders. A young man who left Macau two decades ago returns, intent on revenge and reclaiming his mother's fortune – half the hotel. Inside the casino, Maria sings Fado and exotic dancers perform. It is against this illusory backdrop that the man lays eyes on Maria for the first time; they’re both mesmerized. The film cuts back and forth between film noir-style scenes of Macau’s past and present.

Paralyzed at a young age, Jing is a kind piano teacher who leads a quiet life. One day, she accuses her doctor Zhou of molesting her during a typical medical examination. Zhou is promptly arrested, charged and put on trial. The prosecutor of the case is Tim, an idealistic lawyer who joined the law world to punish the guilty. However, as Tim's investigator Nam helps him peel back the pieces, the more complex the case becomes. Soon, Tim begins to question the truth surrounding Jing's story.

Quentin Lee returns to Hong Kong, where he was born and raised. As he explores his desire to move back there from Los Angeles, he interviews local artists, filmmakers, friends, and family about why they are in Hong Kong and why they choose to be there.

Hong Kong Superstars is a documentary

Khmer Rouge terrorist Kieron Chow and his unit arrive in Hong Kong for their latest mission. Todd, Chow's son and fiercely loyal right-hand man, sustains a serious head wound. Now a total amnesiac, Todd wakes from a coma to find he's been given a new life, one that may be the death of him. With the help of psychiatrist Shirley Kwan, anti-terrorist officer Mark Chan tries to convince Todd that he is actually an undercover cop sent to infiltrate Chow's group. As fragments of his shattered memory return, Todd is forced to choose between his dark past and this one shot at redemption