José Mojica Marins (March 13, 1936 - February 19, 2020) was a Brazilian filmmaker, actor, composer, screenwriter, television and media personality. His interest in filmmaking began at an early age. When Marins was three, his father ran a local cinema, and the family lived in a flat above the theater. Marins is also known by his alter ego Coffin Joe (loosely translated from Zé do Caixão). Although ...
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Fitas Proibidas is a horror anthology that immerses the viewer in a series of macabre and supernatural stories, all revealed by Yraíra, an enigmatic entity that inhabits an old video store. Each tape unearths narratives of demons, ghosts, possessions and vampires, creating a panorama of horror and mystery. As Yraíra unravels these tapes, it not only gives goosebumps, but also offers dark moral lessons, reflecting on the fears and shadows that reside within us all.
Rebeca and her family move into an abandoned house with a sinister past. Her father wants to renovate the house and turn it into a rotisserie. With the help of her neighbor Lucas, Rebeca discovers that the former residents were attacked by a strange creature: The Killer Lasagna. The monster gains strength and grows as it feeds on the remains of food thrown down the pipes and, at the opening of the cantina, the Lasagna will attack again.
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
While out for a walk in the countryside, Marina and Juvenal stop to take some pictures in front of an old woman’s house. Annoyed, the old woman turns out to be a witch and casts a curse on the young couple in the form of a wound that feeds on raw flesh.
The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never completed and was lost.
A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!
Ivan Cardoso is the inventor of the terrir, a subgenre that mixes comedy, Brazilian chanchadas and classic American horror. This film promotes a rescue of his work by mixing archival material, animations and fictional reconstructions.
No plot available for this movie.
A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.
One of the great iconic filmmakers of the horror genre returns with one of the final projects he will manage in his lifetime.
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