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Bounty hunter Bucum Jackson teams with the small-time con artist, Reggie Wright, that he is pursuing, in an attempt to locate a missing stash of diamonds and a lottery ticket worth millions of dollars. Bucum and Reggie find themselves in a race to the finish as they embark on an unlikely partnership that should -- when all is said and done -- prove beneficial to them both.

Scott Barnes is an alcoholic turned social worker hellbent on saving a young boy named Tommy from self-destructing when he finds out he has begun selling crack in an organization called YIP, run by Carlos.

Sunshine, an idyllic and almost forgotten island under British rule, is shortly to become independent. But a few days before this event is to take place, the British governor of the island is shot. Her Majesty's secret service is called in and Sam McCready asks Desmond Hannah of Scotland Yard to take charge of the case.

A Russian circus visits the US. A clown wants to defect, but doesn't have the nerve. His saxophone playing friend however comes to the decision to defect in the middle of Bloomingdales. He is befriended by the black security guard and falls in love with the Italian immigrant from behind the perfume counter. We follow his life as he works his way through the American dream and tries to find work as a musician.

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.
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