Benjamin Christensen

A mature and visually elegant period romance that remains one of the earliest and most compassionate overtly gay-themed films in movie history. Based upon Herman Bang's 1902 novel, Dreyer's Michael refashions the classical Greek myth of Jupiter and Ganymede into a love triangle between an aging artist, Zoret, his protagonist Michael, and Princess Zamikoff, an aristocratic femme fatale as entranced by Michael’s youthful beauty as Zoret is.

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

On New Year's Eve, the convicted murderer, Strong Henry, escapes from prison and collects his son from the orphanage. When he breaks into a local manor to get some milk for his child, he is surprised by a young woman, Eva. Out of pity, she decides to help the stranger, but unfortunately some of the manor's other occupants wake up and call the police. Fourteen years later, Henry is released from prison. Convinced that Eva betrayed him, he sets out to take revenge and find his son.

Not long before marine officer van Hauen goes off to war and heavy-heartedly leaves his family, he coincidentally discovers that his wife has a secret liaison with the dubious Count Spinelli. What the van Hauens do not yet know, is that the sleazy Spinelli has a hidden agenda. (stumfilm.dk)