
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actres...
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Documentary looking at the life and career of 1930s film star Leslie Howard. It features exclusive home movie footage, including footage from the Gone with the Wind set. The film includes extensive interviews with Howard's daughter, Leslie Ruth "Doodie" Howard, and contributions from friends and colleagues.

In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.

A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.

Until 1932's Grand Hotel, never had there existed an all-star ensemble cast on film. Conceived by MGM's production genius Irving Thalberg, the film boasted names like Greta Garbo, Joan Crawford, Wallace Beery and John and Lionel Barrymore and went on to win the Academy Award for Best Picture. This short documentary takes a look at the making of the classic film.

As Hollywood biographies go, Judy Garland's story is one of the saddest success stories you'll ever hear. The sanitized studio version of her life presented a smiling kid with the big voice, who, alongside Mickey Rooney, just wanted to put on a show. But drugs, overwork, even psychological abuse at the hands of the studio is now part of the Garland legend. But despite the number of Garland books and documentaries, one account has always been missing -- Garland herself never managed to write a memoir. She did make several attempts at an autobiography, often recording stories on a tape recorder. Judy Garland: By Myself (2004), finally fills in the blanks - using Judy's personal recordings to tell the story in her own words.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

HBO (in association with the American Film Institute) presents this 1997 anthology, narrated by Liev Schreiber, which looks at sports in cinema from the earliest silent films until the nineties. Watch not for dramatic scenes but for the glimpse of historical figures shown both cinematic and athletic- in this tribute to the merging of sports and Hollywood.

Glamorous and hugely popular Joan Crawford raised herself from brutal poverty to Academy Award-winning stardom by guts, determination and hard work. During her 50-year career, she made over 80 films. But her obsessive perfectionism led to the later caricature of coat-hanger-wielding harridan that even the adoration of fans could not counter. Still, she has endured as one of the most popular icons of the movies, an early role model to a million young women who aspired to her image of stylish magnetic power and unquestioned independence.

The life and career of legendary Hollywood glamour portrait photographer George Hurrell is profiled by his contemporaries including other photographers and actors he has shot.

Some of MGM's musical stars review the studio's history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.
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