George Siegmann

A parody of D. W. Griffith's "The Birth of a Nation", "I Am Not a Racist" rearranges the scenes of the classic movie and recreates its dialogues to criticize the racism in it and also in the world today. Freemenville is a little city somewhere in the USA. A city ashamed because of its past of slavery, but proud of being the first in the country to end it. There is an annual ball to celebrate this fact. And this year's ball may be the biggest ever, because of the possible presence of a big celebrity, who is coming to town to see the premiere of a play. However, the play happens to be D. W. Griffith's "The Birth of a Nation", a racist work that starts a series of events exposing the racism that still exists in the city, culminating in the recreation of the KKK.

A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.

The young brother of two police officers borrows one of their uniforms. While masquerading as a cop, he accidentally assists a group of criminals committing a burglary.

Part of a 7-part series exploring all aspects of Hollywood.

A servant girl plays matchmaker for the local burgomaster's daughter while setting her own sights on a visiting Irishman.

During World War I, an Austrian officer is trapped behind the Russian lines. He tries to sneak through to his own lines, but is forced to take refuge in a small hotel, where he is hidden by the establishment's chambermaid. The two fall in love, but a Russian general makes the hotel his headquarters and sets his sights on the maid. In addition, the Austrian must find out the identity of a spy who is feeding the Russians military information that could lead to the destruction of the Austrian army.

Relatives gather at a haunted mansion for a will reading where the sole heir is threatened by a clause that could disinherit her if she goes mad, all while a homicidal maniac escapes nearby.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

In 1856, slave Eliza plans to marry George with the consent of the Shelbys, her masters, but George's owner prevents the wedding. A few years later, Eliza flees with her son, Harry, after learning the Shelbys plan to hand them over to a crooked creditor to prevent foreclosure. George also escapes and goes on the run while Eliza and Harry are captured and brought back home. Mother and son are separated as George tries to find them both.

In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.