Lillian Gish

The buoyant energy of a modern woman who bobs her hair and dances to jazz is too often objectified and repressed by a figure like that of Robert Mitchum from Night of the Hunter.

A parody of D. W. Griffith's "The Birth of a Nation", "I Am Not a Racist" rearranges the scenes of the classic movie and recreates its dialogues to criticize the racism in it and also in the world today. Freemenville is a little city somewhere in the USA. A city ashamed because of its past of slavery, but proud of being the first in the country to end it. There is an annual ball to celebrate this fact. And this year's ball may be the biggest ever, because of the possible presence of a big celebrity, who is coming to town to see the premiere of a play. However, the play happens to be D. W. Griffith's "The Birth of a Nation", a racist work that starts a series of events exposing the racism that still exists in the city, culminating in the recreation of the KKK.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

In this handmade film, composed of more than four thousand collages, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and plunged into a new and haunting role. NIGHT HUNTER evokes a disquieting dreamscape, drawn from allegory, myth, and archetype.

The story of Swedish silent film actress Sigrid Holmquist's life (1899-1970), by using the silent film medium. It consists of already existing film clips from the 1910s and 20s. Sigrid is played by eight different stars from her era, and she also plays herself. Sigrid Holmquist was born in Borås, Sweden and her stubborn spirit led her to become a movie star in Scandinavia and Hollywood before retiring from the movies in 1926. An experimental film project.

There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blaché in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a hundred episodes of "Have Gun, Will Travel," "Thriller," "Gunsmoke," and many independent features.

This documentary traces the life and work of the legendary "America's Sweetheart" Mary Pickford, silent film star, movie pioneer and keen businesswoman. Pickford's life also parallels an even larger story, telling of the birth of the cinema itself.

In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."

The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.

Short documentary about Charles Laughton's 1995 film "The Night of the Hunter," with interviews with the cast and crew.