Buster Keaton

From 1920 to 1965, the great Buster Keaton made spectacular use of locomotives in his films. This video essay charts the course of his iconic cinematic career across the many tracks he rode along on screen: as a young man in the surge of his silent movie ascent in Our Hospitality, while making his masterpiece The General, and traversing the width of Canada on a railway speeder car as an old man in The Railrodder.

Video essay detailing Buster Keaton's motivation and construction of his 1927 film, The General. Made up almost entirely of silent scenes from the film.

Andrew Richter shares odd celebrity encounters from his years of working in hotels.

The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.

A look at the life and work of Charlie Chaplin in his own words featuring an in-depth interview he gave to Life magazine in 1966.

Time Travelers, a new documentary by Daniel Raim featuring interviews with John Bengtson and film historian Marc Wanamaker, reveals newly discovered connections between Buster Keaton’s MGM debut and the earliest films of his career.

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

What makes a rebel? This 78 minute documentary probes the psyche of bad-boy publisher and free speech warrior Barney Rosset, whose mid-century legal and cultural battles smashed sexual and political taboos in the United States — unleashing the counter-culture of the 1960s and introducing millions of young intellectuals to the most radical currents in literature, film, theater and politics. In his late eighties, coming to terms with his life, Barney Rosset began to obsessively sculpt an autobiographical 15′ x 22′ surreal wall mural, embedded with jewel-like vignettes crafted out of found objects, each a clue to the conflicts and obsessions that drove Barney’s lifetime rebellion against authority. A cast of artists, a neurologist, and a shaman connect the clues and piece together Barney’s life.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.