Kay Kay Menon

In 1975, India was declared in a state of emergency. This movie tells a story of that year and how the first mobile phone arrived to India.

No plot available for this movie.

Firrkie is a Bollywood action drama movie, directed by Ankoosh Bhatt. The movie stars Neil Nitin Mukesh, Karan Singh Grover, Jackie Shroff, Kay Kay Menon, and Sandeepa Dhar in lead roles.

An aspiring football star desperately seeks a way to travel to England to play for a famous team, but his journey leads him to a village waging a bloody conflict.

A promising talent succumbs to sports politics and moves on to live a life far from the game he was once inseparable from. Once a darling to all, now an aloof and angry man, changed by conspiracies of people at mighty positions. The hopelessness from being unable to play the game he was passionate about makes some noticeable scars on his psyche. He lives on to lead an ordinary life while blaming sports for everything wrong in his world. His agony and perceived hatred for sports trickle down to his family, where his son is forbidden to pursue sports or any activity digressing him from the established path of studies.

An accidental road trip from Mumbai to Ajmer with a quirky wedding band forces Arshie’s orthodox parents to open their eyes to a new way of life.

Our journeys are entwined, touching each others’ at the crossroads of life. This is a powerful film by Ankoosh Bhatt starring Kay Kay Menon.

An aspiring pilot fights for her future -- and justice -- after surviving an acid attack from her abusive boyfriend.

A young boy Lukram, hailing from the state of Manipur, situated in the Northeastern part of the country, is a football enthusiast and enrols in a Lucknow-based college to realise his dream of playing for the Indian national team, but his dreams start to crumble when he is subjected to blatant racism and zonal politics that is prevalent in this sport’s team-selection process.

Even the cause of gender equality and women's emancipation can be fraught with severely problematic ideologies, as this film goes ahead to portray. Kay Kay Menon, an activist in the gender space, is about to be awarded the Padma Shri for all his work. The narrative progresses to reveal his saviour syndrome, among other extremely problematic views, further accentuating the irony between his public image and personal practice. However, as he sits down to write the final chapter of his book about women's rights, has his past finally caught up with him?