Conleth Hill

George Hardy, a shepherd, loves his sheep and raises them only for their wool. Every night he reads aloud a murder mystery, pretending his sheep can understand, never suspecting that not only can they understand but they argue for hours afterwards about whodunnit. When George is found dead under mysterious circumstances, the sheep realise at once that it was a murder and think they know everything about how to go about solving it. The local cop Tim Derry, on the other hand, has never solved a serious crime in his life, so the sheep conclude they will have to solve it themselves, even if it means leaving their meadow for the first time and facing the fact that the human world isn’t as simple as it appears in books.

After surviving an explosion in Iraq, Mr. Thomas leaves the infuriating desk job the army had created for him and enters the underground world of the contract killer. His brother, Sam, had been caught selling on army secrets to the highest bidder and is now working for the illusive Harry Montagu. They use Mr. Thomas as a very effective way of eliminating problems they encounter in their business. That is until Mr. Thomas begins to question whom these problems are that he is removing, and why they deserve this fate.

The beekeeper who accidentally kills his wife before nervously burying her body under his vegetable patch, the child born with an insatiable and increasingly inhuman appetite, the seemingly harmless couple who are serial killers, and the home-alone woman who is petrified someone is out to kill her. These terrifying tales come together in one anthology.

In 1962, Patricia Neal and Roald Dahl retreat to the English countryside to bring up their young family. The seemingly unlikely pair find their relationship put to the test by a tragic loss.

Dublin teenagers Matthew, nihilistic Rez, and the deranged Kearney, leave school to a social vacuum of drinking and drugs, falling into shocking acts of transgression.

Jane is the subject of a twisted science experiment where she is placed in a parallel world and is forced to find a way to either alter her reality or be stuck in a time-loop, destined to repeat the same test over and over again, with no memory of her doing it before. But with each 'reset' she starts to retain fragments of memory. With clues pointing to the mysterious Wytness Quantum Research Centre, she tries to find a way out. (The film was shot entirely on an iPhone during the UK’s first lockdown.)

Struggling to provide her daughters with a safe, happy home, Sandra decides to build one - from scratch. Using all her ingenuity to make her ambitious dream a reality, Sandra draws together a community to lend a helping hand to build her house and ultimately recover her own sense of self.

The true story of British intelligence whistleblower Katharine Gun who—prior to the 2003 Iraq invasion—leaked a top-secret NSA memo exposing a joint US-UK illegal spying operation against members of the UN Security Council. The memo proposed blackmailing member states into voting for war.

1840 and another ship crashes on the rocks of an almost deserted island in Scotland. Three sailors survive the wreck and make it to shore where the few locals take them in as they wait for the mainland boat to come for them. But the sailors' survival story has only just started as they uncover the strange past of the once vibrant island.

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.