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Matsuoi and his wife Tsuya moved to Oshima City because of her unpredictable character. Even though Tsuya continues to have affairs, Matsuoi loves her and is a devoted husband. Tsuya is then diagnosed with a cancer and later goes into a coma. Matsuoi then thinks of his wife's lovers. Matsui goes to those men and informs them of Tatsuya's condition. The other women in the lives of those men are shocked and begin to re-examine their views of their men.
Bandit leader "Night Rabbit" Kakuemon has always kept the rule to "never kill, never rape, never steal from the poor", passed down to him by the gang's previous leader. He has never been arrested, and for that, he always thought he would have a peaceful death. But one day, after talking to a young one-armed homeless girl, he decides to break up his gang and turn himself in.
Kamikawa Katsuji, a bank employee, is married to Yasuko, the daughter of a rich family and lives an ordinary married life. But he keeps a lover, Kamiya Ayako, a nightclub hostess, behind his wife’s back and is mired in a web of lust. His life takes mysterious turns after becoming Katsumura Hisako’s disciple. The beautiful and elegant Hisako, a calligraphy instructor, possesses the special ability to tell the fortune of people by looking at their calligraphic styles.
High school seniors Mikayo, Chuko and Kei are forced to join a historical research club to fulfill a graduation requirement. Their teacher, Mr. Kachi, plans a mandatory club trip to a small village called Oshakabe in Yamagata prefecture to study remnants of an ancient clan of warriors called the ochimusha who displayed legendary cowardice in battle. When they arrive, the local villagers hold a special ceremony and construct a "super shrine". As a result, an 800-year seal is broken, unleashing a curse that causes the ochimusha to rise from the grave.
Jirocho (Kiichi Nakai), a fledgling bakuto who left his wife, goes on a year-long training with his minions: right-hand man and military master Ohmasa (Kishibe Ittoku); stinky priest Daigoro (Takashi Sasano); well-known stranger Ishimatsu Mori (Yoichi Nukumizu); beautiful Masagoro Oiwake (Kazuki Kitamura); and others. As Jirocho's fame spreads, he gains more enemies. Among them are Katsuzo Kurokoma (Koichi Sato), who is one of the most powerful in Koshu, and the villain who is also Ishimatsu's nemesis, Masaru Mima (Riki Takeuchi). A traitor also emerges from the family, Yoshikazu Ebisu (Yoshikazu Ebisu). Meanwhile, Jirocho's wife falls ill and other terrible situations occur. Jirocho falls into a pinch of absolute despair. What on earth will he do? What is the fate of his minions? The Jirocho family will face a fierce battle...
During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.
Towa lives in a peculiar sanatorium after committing suicide. Convalescing in sanatorium, she is informed that she has only 7 days to live. Isolated within their worlds, strange people live in this sanatorium and try to avoid making any contact with her. However, Kuroda a man who lost his power of speech feels sympathetic towards her and their every lovable things give true colors to the life and inspire Towa’s honest desire for the life…
Because of the desolate landscape, Kobayashi chose snow-covered Hokkaido (the most northern island of Japan) as the setting for Amazing Story, a light-erotic drama about a lonely man, Kenji, who kidnaps the woman of his dreams. The woman is Harumi, a hairdresser in the deserted town where Kenji has just arrived. It's never really busy in her business. Harumi's husband is a gambling addict and spends all Harumi's money. Maybe that's why Harumi doesn't try very hard to escape when Kenji kidnaps her. His concern about her and his boundless worship probably help, too. Something strange and beautiful blossoms between the kidnapper and his victim, but can this be the basis of a long and happy encounter?
Saginuma moves into an old apartment, dreaming of success as a sculptor. However, there is an unusual atmosphere among the residents, and they stubbornly try to maintain order. And then, there is an eerie sound that can be heard.
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
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