Nikita Mikhalkov

On the verge of divorce, Max comes to his ex Irina's to pick up his son Dima for the autumn holidays, but then it turns out that the child has run away from home. The worried parents set off in search in the car of family psychologist/Irina's part-time boyfriend Vlad. Learning that Dima ran away to the village to Max's father, Bata, Max recalls, on the drive, how his parents, during their divorce, sent him to the village, about their life together, his first love and childhood friends.

A documentary about the phenomenon of the Brother duology and its place in the country's cultural code. Directors Anna and Grigory Selyanov explore Balabanov's legacy, rare archives, and routes from Moscow to New York to understand how these films united several generations of Russians.

A documentary about the spiritual and personal life of Nikita Mikhalkov. The plot covers 66 years of friendship between him and the author - Nikolaev Burlyaev. The film uses unique archival materials.

“The True Biography of Nikita Mikhalkov” is the story of one of the most famous Russian directors (and one of the most adored actors by the public), told unbiasedly - that is, not from the words of Mikhalkov himself.

In 1993, Nikita Mikhalkov made a feature film “Remembering Chekhov”. After the footage was edited, he realized that the film went wrong. thus he made a difficult decision – not to show it to a wide audience. almost 30 years later, in his documentary “the film that went wrong”, the director tries to understand and analyze the reason for that failure. for the first time he will also show scenes from “remembering chekhov” to the audience.

No plot available for this movie.

A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.

No plot available for this movie.

No plot available for this movie.

The new film about Sergei Bondarchuk is not a traditional description of the life of a famous director and not a biopic timed to coincide with a round date. The creators of the film focus on a unique period in the history of world cinema - the post-war "thaw" euphoria and the time of great hopes, the key character of which was the author of "War and Peace". What was this man and cinematographer who shot both chamber dramas and megalomaniac battle projects? And how did he, the winner of many USSR awards, manage to become a figure of world significance and a link between the two superpowers during the Cold War era?