Billie Whitelaw

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

John Calder, Samuel Beckett’s British publisher, moved to Montreuil, a town to the east of Paris, where Calder met with Billie Whitelaw, the muse, so to speak, of Beckett’s stage work, who is now relegated to a nursing home for actors.

Former London constable Nicholas Angel finds it difficult to adapt to his new assignment in the sleepy British village of Sandford. Not only does he miss the excitement of the big city, but he also has a well-meaning oaf for a partner. However, when a series of grisly accidents rocks Sandford, Angel smells something rotten in the idyllic village.

The filming of "The Omen" (1976) was plagued by tragedy and bizarre incidents. "The devil was at work and he didn't want that film made" - Producer Harvey Bernhard.

Documentary about the making of Alfred Hitchcock's 'Frenzy'.

In early 19th-century France, the Marquis de Sade is confined to an asylum where his forbidden writings continue to circulate beyond its walls. As the authorities tighten control, a clash unfolds between the Marquis’ unyielding imagination, the reformist ideals of the Abbé in charge, and the repressive measures of a doctor sent to silence him. Desire, power, and censorship collide in a battle over freedom of expression.

After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.

Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is Nathalie, a high-class call girl. He gets a call from an old friend from the Paris police department, now a businessman whose brother-in-law is missing. The missing man's parents hire Xavier over their daughter's objections, and quickly he finds himself in the realm of children's sexual slavery.

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?

A two-part biography of the Irish writer Samuel Beckett. The first part covers the traumas of his formative years: his ill-fated love affair with his first cousin, the death of his father, and his decorated service with the French Resistance. He had settled in France before the Second World War, met fellow Irishman James Joyce, and begun writing. Patrick Magee's television performance of `Krapp's Last Tape' (1972) is interwoven with key landscapes and personalities from Beckett's life. The second part concludes the story of how Beckett finally began to connect with his audience, principally through `Waiting for Godot'. Includes an interview with the actress Billie Whitelaw, a celebrated interpreter of his work.