
Sergei Selyanov is a Soviet and Russian film director, screenwriter and producer. Head of the STV film company, co-founder of the Melnitsa Animation Studio. In 1972-1975 he studied at the Tula Polytechnic Institute, where he shot films in an amateur studio. In 1980 graduated from the scriptwriting department of VGIK, in 1989 from the Higher Courses for Scriptwriters and Directors. Shot his debu...
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A documentary about the phenomenon of the Brother duology and its place in the country's cultural code. Directors Anna and Grigory Selyanov explore Balabanov's legacy, rare archives, and routes from Moscow to New York to understand how these films united several generations of Russians.

The film “We Others Will Not” emerged as a direct continuation of numerous meetings and conversations with Sergei Bodrov Jr. and Alexei Balabanov. The idea to reflect again on the phenomenon of Sergei Bodrov Jr.’s identity belongs to Evgeniy Nikishov and Valeriy Fedorovich. Together we decided to go on this difficult journey. Close friends and colleagues talk about Sergei: the producer Sergei Selyanov, the designer Nadezhda Vasilyeva, the composer Vyacheslav Butusov, the cinematographer Sergei Astakhov, and also… Sergei Bodrov Jr. and the director Alexei Balabanov, whose films “Brother” and “Brother 2” acquired popular fame at the threshold of the 2000s.

His motto was laconic: "I promised - stay still." This is how Alexei Balabanov lived, raised his sons, was friends, and so filmed. A legendary director and an extraordinary person who made both "festival" and "mass" films with equal ease. He was a great father and a difficult husband, a loyal friend and an honest guy. Balabanov with his life, passions, losses, burning pain on the way to God in the memories of those closest to him - mother, sons, wife and friends. He seems to be telling the crew again: "Let's do it talentedly!"

A documentary grotesque in which even the walls speak. Famous directors of St. Petersburg cinema recall their lives and work, and images of old films come to life to remind the viewer of themselves.

At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...
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