Peter Kern

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Rosa von Praunheim is an icon in the scene: gay activist, loving provocateur and a very special filmmaker from Berlin for decades. His curiosity for people and their fates runs through his extensive film work. For his 70th birthday he has now made 70 new short films. In the first part of the big project, he confronts Thilo Sarrazin with the mayor of Neukölln, Heinz Buschkowsky, and the Turkish lawyer and women's rights activist Seyran Ates; shows a homosexual hustler in Bucharest; gossip reporter Andreas Kurtz, who knows everything about Berlin's celebrities; Rosa's neighbors who live with her dependent brother; Esther Bauer, who survived Auschwitz, and the Berlin comedian Ades Zabel. High on the roofs of Berlin, the gay chimney sweep Alain Rappsilber tells him about his fetish leather meeting Folsom.

Two directors shoot a documentary about the controversial director and pugnacious actor Peter Kern. But he cannot be easily rammed into the classical form of a documentary.

When 82-year-old Mary takes her 63-year-old disabled son on a houseboat vacation on Lake Lychen in Brandenburg, things quickly go south as the boat becomes a prison, trapping them within the difficult emotional web of their relationship.

Documentary about the current hustler scene in Berlin. Based on interviews with former and active prostitutes, the realities of male prostitutes in Berlin are treated. The film is objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.

Meet Jerry, an obsessive but frustrated director who decides to turn his back on the theatre in favour of a controversial new project. But things soon start to go wrong. As he struggles with the demands of his role as leader, he is plagued by surreal dreams conjured up by his guilty conscience. Monkey Sandwich is a portmanteau film with a captivating tangle of stories involving the search for an unborn child, a disturbing hunting trip, a haunted LP, a screaming piglet and a river gone rogue. The stories in Monkey Sandwich are urban myths or stories created with or by the actors. The film was originally part of a stage performance of the same name.

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.

No plot available for this movie.

When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

16-year old Axel and his clique are rioting in a residential home. There he meets the 80-year old Gustav who gains interest in the young boy, as he reminds him of his lost love.