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Royal Palace Theatre, Paris . February 17th 1673, the King’s theatre group is playing « Le Malade Imaginaire » when Moliere started spitting blood, but he takes the decision to keep playing until the end. During his agony, he let enter in the theatre all the elements and ghost who made his life. Starting a fight to preserve his dignity, he plan to transfigure his death in a last laugh instrument.

"Don Juan woman", according to the expression of Balzac. A princess, a great seductress. Of a diabolical intelligence. This woman, who has had many lovers— almost all the male characters of the "Comédie Humaine“— will finally find love. The real one. The great one.

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.

No plot available for this movie.

A French adaptation of Aeschylus' three-part play "Oresteia", staged by Olivier Py.

A staging of Olivier Py's play "Les Enfants de Saturne" by himself.

A staging of Paul Claudel's play "The Satin Slipper" by Olivier Py.

This is not a chorus film. Well maybe just a little… Avignon Festival - Summer. First, there’s Maud and Alex, who have just broken up but need to pretend to be two love birds on stage. Then there’s the playwright of their play, Richard, who could start to fall in love with Léna, but is still grieving his lost wife. Léna is also grieving her ex but can’t remember why she dumped him. So she sings her blues, on stage, with Louise, who might have a little crush on her sound engineer. Then there’s the famous dancer Kate who sleeps with her assistant Marko, who’s always prefered men. Oh, did we tell you that Kate the dancer and Maud the actress are friends and would love to invite everyone to a party?

A staging of Olivier Py's play "Illusions comiques" by himself.
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