Michael McGlone

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

30 years after the events of The Brothers McMullen, romantic entanglements plague a now fiftysomething Barry McMullen and his twentysomething kids, as well as his brother Patrick and widowed sister-in-law Molly, who are also facing similar unexpected hurdles.

God lives in New York City and He's really annoyed with the human race. He needs his faith in mankind restored and comes up with a plan. He dispatches his angelic assistant Serena to approach ladies' man Rick Cozwell and inform him that he has 60 days to fall in love or the world will come to an abrupt end.

The siblings of the Fitzgerald family must decide if the dad who abandoned them 20 years ago can come home for Christmas. Can the big Irish clan get past their grievances to be a family again?

Bad City is the tangled story of three men's lives: Manning, a dirty, disillusioned cop; Julian, king of drugs, thugs and prostitution; and Frank, a ruthless politician who destroys everything in the way of his ambition.

A Pakistani involved in a planned attack in New York City experiences a crisis of conscience.

After an impulsive visit to a fortuneteller, three friends discover that the power of suggestion has forced them to consider the reality of "fate."

An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.

One unlucky evening, Louis Cropa, a part-time bookmaker, discovers that his restaurant has become a hotbed of conflicting characters. In addition to having to please a whiny food critic, Louis must fend off a hostile takeover from a pair of gangsters, to whom his sous-chef is in debt. Further, Louis has an argument with his son, the star chef, whose culinary creativity has brought success to the business.

A comedy that pays tribute to the science fiction genre -- specifically, the sub-genre of time travel. But here the alternate reality is contemporary New York City where past and future experiences of trust, commitment and denial are cleverly put to the test. Just as Ruby is beginning to relish her first-ever healthy relationship, Sam begins muttering about being a time traveler from the year 2470.