
Nicola Jane Reynolds (born 26 July 1972, Pontypridd) is a Cardiff-based Welsh actress. After appearing in the 1999 film Human Traffic, she appeared in a series of jobbing roles, including Clocking Off and High Hopes. Reynolds also appeared in Scrum 4 as Meg. She made her public break through in the children's CBBC show The Story of Tracy Beaker as head care worker Shelley Appleton. She appeared a...
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In 1979, when Margaret Thatcher's first government breaks a promise to establish a Welsh language television channel, a wave of civil disobedience follows. One man - Gwynfor Evans - threatens to starve himself to death unless the government comes good on its manifesto pledge. The reimagining of one of the most colourful chapters in contemporary Welsh history.

Blue Monday is a modern day twist on Under Milk Wood. While Under Milk Wood lifted the lid on the small Welsh village of Laugharne over the course of one single day, Blue Monday lifts the lid on the lives and loves of the large city of Cardiff. Blue Monday, the most stressful night of the year. Four people with a decision to make, one that could change their lives. A cabbie, two police officers, a bar maid and a nurse (who also works in a neighbourhood brothel). One woman prepares for a reunion with a daughter she gave away at birth, another will have to choose between survival and family, a taxi driver comes to a shattering decision regarding his lover, while two police officers wrestle with their own demons while attempting to deal with the demons of others. A night of decisions. Followed by days of regret. Or not.

The trials and tribulations of the latest Indie Folk Star - Jolene.

Already deep into a second Cold War, Britain’s Ministry of Defense seeks a game-changing weapon. Programmer Vincent McCarthy unwittingly provides an answer in The Machine, a super-strong human cyborg. When a programming bug causes the prototype to decimate his lab, McCarthy takes his obsessive efforts underground, far away from inquisitive eyes.

The National Gallery in London has flooded, and senior curator Quentin Lester has a dramatic solution. He proposes that the entire collection of priceless paintings should be removed from London and stored in an abandoned slate mine inside a Welsh mountain, as they were during the Second World War. Soon after Quentin is settled in North Wales admittedly more at home in a cave among his paintings than he is with other people he unwittingly sets in motion a series of events that wake up this sleepy, charming town. After mistaking local boy Dylan Hughes for an art history genius, Quentin finds himself in the middle of mayhem.

Two lowlifes with active fantasy sex lives deliver potatoes to various restaurants and grocers.

Tracy Beaker's 13th birthday and as a suprise Cam wants to foster Tracy again. Tracy is delighted. An unexpected visitor turns up at the Dumping Ground, Tracy's real mum.

For Jip, Lulu, Koop, Nina and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.
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