
Tom Holland (born July 11, 1943) is an American filmmaker. He is best known for directing the films "Fright Night" (1985), "Fatal Beauty" (1987), "Child's Play" (1988), "The Temp" (1993) and "Thinner" (1996).
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Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

When a young man falls for a seductive but mentally unstable fortune-teller, he begins to suspect her family is hiding a diabolical secret.

The story of the cult horror empire through interviews with cast, crew, and horror icons such as Don Mancini, Brad Dourif, Jennifer Tilly, Catherine Hicks, Chris Sarandon, John Waters, Fiona Dourif, Perrey Reeves, Gerrit Graham, David Kirschner, and dozens more.

1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.

The conclusion to the ‘In Search of Darkness’ '80s trilogy. In this epic final chapter, our focus turns to the straight-to-video horror classics that populated the bottom shelves at the video rental store. Imaginative, gory, experimental—but always entertaining—these hidden gems are ripe for rediscovery.

The ultimate ‘80s Horror retrospective just got BIGGER. In Search of Darkness: Part II is a four-hour-plus sequel to the Rondo Hatton-nominated In Search of Darkness, adding 15 new interviewees and 40+ returning favorites for the biggest and most comprehensive ‘80s Horror documentary cast ever assembled.

An exploration of our cultural obsession with vampires and what they reveal about the human psyche.

An exploration of '80s horror movies through the perspective of the actors, directors, producers and SFX craftspeople who made them, and their impact on contemporary cinema.

After being released, a reformed serial killer moves into his family's ancestral estate and is haunted by his past -- both the living and the dead.

Unlike other high-velocity cartoon characters, nothing about DePatie-Freleng's supersonic Blue Racer could be described as "streamlined". While surely speedy, this lisping reptile is definitely not slick and ranks as more of an Everysnake who loses more battles than he wins, most of them to a philosophical Japanese Beetle. The DePatie-Freleng artists, while dubious ethnologists, still display their knack for extended physical comedy and squash-and-stretch action scenes in this surprisingly popular skein that bucked the contemporaneous trend toward limited animation. Never consigned to any indigenous natural habitat, the Blue Racer vacations in Tokyo, winters in Alaska, even emigrates to Ireland with a wanderlust echoed by the films' producers, who outsourced one of the entries to Sydney, Australia and another to Barcelona, Spain.
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