Juliet Stevenson

‘All my life – all your life – I’ve struggled with this: was what I did “wrong”?’ Germany, 1945. Thomas, one of thousands of children stolen by the Nazis from Eastern Europe during WWII, is under the care of Ruth, a UN relief worker. Should she try to find his parents or leave him with those he’s grown up with? The choice she makes will shape his life. London, 1990. Years later, Thomas visits Ruth. As they untangle the past, the decisions Ruth made as a very young woman are called powerfully into question. Juliet Stevenson is Ruth in this remarkable and timely new play by David Lan, former Artistic Director of the Young Vic. Immersed in the shapeshifting nature of memory and morality, it’s directed by Stephen Daldry (The Jungle, The Inheritance).

John and Mary have lived with desolating grief and the agony of uncertainty for the past ten years. Their only child, Clare, ran away from home when she was fourteen and no trace of her whereabouts has ever been found. When Clare returns, now a young woman of twenty-four, Mary is overjoyed. But John comes to believe that Clare is not who she claims to be. As old tensions resurface, a gripping search for the truth unfolds.

After years of living alone, Rhoda takes in a lodger, but the change unsettles the equilibrium of her home.

When Maggie invites a stranger into her home, she is confronted with the very thing she has been trying to avoid.

Ceres tells the story of a daughter seeking refuge from her emotionally abusive partner at the home of her estranged mother. It follows their attempt to reconnect, and move forward, despite the knowledge that their time together is limited; bound in a knot of silent agreement to the changing of the seasons.

A Dowager prepares for her birthday party. A young couple are on the run. A mysterious man in black watches from the shadows. Four rooms. One evening. Nothing is quite as it seems.

The film is set in the year 2000 following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily volunteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.

Hamlet captures the Almeida Theatre's 2017 acclaimed production of William Shakespeare's great play, recorded as-live in its West End transfer on the stage of London's Harold Pinter Theatre. Robert Icke's innovative modern-dress production, featuring Andrew Scott, Juliet Stevenson, Angus Wright and Jessica Brown Findlay, has been widely acclaimed as a dazzlingly intelligent, forcefully contemporary staging. The Evening Standard hailed Andrew Scott's 'career-defining performance... he makes the most famous speeches feel fresh and unpredictable.'

A portmanteau exploration of disparate characters scattered across London, many of whose lives intersect unpredictably. A refreshing take on the complexities, contradictions and compromises of modern living in the greatest City on Earth.

Vida and Arthur come from vastly different backgrounds. Sensitive and touching, sometimes quirky and tragic, always uncompromisingly truthful, a fresh look how conflicting family ties challenge love in a modern day Romeo and Juliet tale.