Louise Mieritz

Middle-aged cake manufacturer Niels is on the verge of a breakdown as his factory is on the brink of bankruptcy. His wife Else tries to save the factory by calling home their daughter June and her husband Jonny, who propose a comprehensive modernization focused on the production of healthy cakes. Niels cannot cope with this modernization process and instead falls head over heels in love with the factory's new cleaning lady, Zeinab.

Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.

This time, the children's parents have gone on vacation to New York, and it is up to Uncle Erik to take responsibility for his nephews and nieces, or at least try to. Everything seems to be going well, until Jan and Michael take a little drive in their father's new sports car. The mechanic's bill comes to $30,000, so the children persuade their uncle to open a hotel in their own house. The hotel quickly fills up, but not all of the guests are easy to please. And the strict Mrs. Flinth is definitely not happy with the children's successful hotel business!

Max has finished school and is becoming an adult. He is on his way to find a life outside his mother's overprotective wings. When he meets Kaya, she gives him the final push to become independent and finally to move out. He moves over to his father but ends up as a lodger at the neighbour Steen Kold. Max would like to go to the Roskilde Festival with Kaya and gets help with the tickets from Steen Kold who is also coming along. Mom is afraid of what will happen to Max, so she decides to follow him and Steen Kold. This leads to many poignant and incredibly embarrassing episodes deeply rooted in her great love for her son, but also in her desire to still be in the centre of his attention.

No plot available for this movie.

Now 14, Max is about to decide on an internship and is finding it difficult to choose. He settles, against his mother's wishes, for a bank. But mother Agnethe, still quite embarrassing, takes action and enrolls Max in a free spirited camp for the sake of his soul's salvation.

Max is hitting puberty, and classmate Ofelia has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year's Eve. Watching her little boy grow up, his mother Agnete doesn't know what leg to stand on.

A satirical drama revealing the consequences of the Danish government's "New Copenhagen Criteria", a new policy aiming at securing the nation's survival. Citizens who fail to meet the criteria – those who have received more from society than what they have contributed – are eliminated.