
Anne Louise Hassing is a Danish actress who graduated from the Statens Teaterskole in 1997. She is the daughter of chief physician Folmer Hassing Nielsen and pediatric dentist Linnea Rasmussen. She made her film debut in Nils Malmros' The Pain of Love (1992), for which she won both a Robert and a Bodil for best female lead. She again received a Bodil in 1999, this time for her next film performanc...
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Elias dreams of a family. Christian is happy about their free existence in an open relationship, where they have time and money to travel, buy expensive designer furniture and love each other. Elias has been able to keep his longing at bay for a long time, but when he starts his new job as a psychologist at a school home, it is as if the burden is overflowing. He must face the fact that a life without a human responsibility for others than himself can never be a happy life for him.

Mona is participating in a weekend team building event with her colleagues, when she receives an anonymous complaint from HR for inappropriate workplace behavior. Now, a game of "whodunnit" unfolds, as she tries to smoke out the colleague, who filed the complaint against her.

Trine, Kaya, and Anne Sofie take you on a rollercoaster ride through their wonderful, awkward, beautiful, and imperfect lives in City Singlers' 10th anniversary show.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

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In a quirky, small town, situated in the outskirts of everything, 14-year-old Martin is getting ready for one of the most formal transitions from boy to man; the communion. It's 1976, music's in the air and hormones are blossoming. But in the midst of it all Martin's mother suddenly passes away and her tragic death trickers a series of events that not only changes Martin's life forever, but also affects everyone else in the local community. Overwhelmed with grief neither Martin's dad, nor his older brother, is capable to comfort Martin. He enters adulthood in a mixture of drunken happiness and immense sadness over the loss of his mother, and his relationship to both his friend Kim and girlfriend Kristine comes to its natural conclusion.

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.

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A teacher lives a lonely life, all the while struggling over his son’s custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.

Just as David and Freja arrive at their newly bought country house close to the Cliffs of Møn the harmony is disturbed by an inexplicably suicide. When David realizes that their new craftsman Roar is linked to the person who fell of the cliff he starts being suspicious. David is also certain that Roar is hitting on Freja. She denies this and all Davids theories. David joins forces with the widow Veronica to solve the case and prove to Freja that he is right. But the closer he gets the truth the further away he gets from Freja. David has to risk everything to unveil circumstances that go far beyond his imagination...
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