Alia Shawkat

When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance.

After fleeing civil war in Liberia, a formerly-privileged refugee is barely scraping by in her new life in Greece when she strikes up an unexpected friendship with a rootless tour guide.

When tech billionaire Slater King meets cocktail waitress Frida at his fundraising gala, he invites her to join him and his friends on a dream vacation on his private island. But despite the epic setting, beautiful people, ever-flowing champagne, and late-night dance parties, Frida can sense that there’s something sinister hiding beneath the island’s lush façade.

Beth is a helpline volunteer – part of the small army that gets on the phone every night across America, fielding calls from all kinds of people feeling lonely, broken, hopeless. Over the last year the tide has become a tsunami. As Beth goes through her shift, the stakes rise: is this the night she will lose someone? Save someone? Eventually, Beth’s own story comes to light, revealing why she does it. All along we remain with her: listening, comforting, connecting – patching the world back together, one stitch at a time.

The Jackass crew, along with some newcomers, returns for one final round of hilarious, absurd, and dangerous stunts.

After a life-altering revelation while tripping on psychedelic mushrooms, comedian Byron Bowers stumbles straight from the desert into the Decatur Boxing Club, to deliver an intimate set in his hometown Atlanta. Byron talks about his long journey to his first comedy special, the stigma of mental health, and how tripping on mushrooms made him understand his schizophrenic father and altered the way he feels about his Blackness.

It is time to record the all important second album and Glass Heart is breaking in a million pieces. Away from touring and performing the band is not in harmony, and no amount of history in Rockfield Studios is going to solve that. Three very different songwriters, one desperate producer, a label exec and a keyboard collide.

Larissa FastHorse’s wickedly funny comedy finds a troupe of terminally “woke” teaching artists scrambling to create a pageant that manages to celebrate both Turkey Day and Native American Heritage Month.

Based on real events, the short takes a poke at our cultural climate of paranoia and fake news.

Lucille Ball and Desi Arnaz face a crisis that could end their careers and another that could end their marriage.