
Truus van Aalten was a Dutch actress who shot to fame in Germany at the end of the 1920s. She appeared in over twenty (UFA) films, usually taking on the role of a lively young girl who gets herself into all sorts of comical scrapes. 'Het Meisje in de Blauwe Hoed' was to be the only film she ever made on her native soil.
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Daantje Peters, a grocer's son from Schoonhoven, meets Betsy, the girl with the blue hat, during his military service in The Hague. Despite the warnings of Toontje, his "slapie," he quickly becomes engaged to Betsy. Soon it becomes apparent that Betsy is too frivolous for the respectable Daan, and she ends the engagement. She prefers to remain the friend of the entire company.

A journalist travelling by train to Vienna meets an American millionairess travelling incognito. They become friends and decide it'd be fun to swap places for awhile.

When grocers's son Daantje Pieters is drafted, he falls for a girl in a blue hat he spots aboard the train to the garrison. At the barracks in The Hague, crafty conman Toontje takes Daantje under his wing. Toontje decides to help him look for his dream girl, but draws the line at them planning an engagement — for such things are not for soldiers.

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A zoologist has housed a wide variety of animals in his apartment and keeps himself busy with them. A pretty young secretary is at his side. Only the young man in the apartment next door is not so keen on the noise and solves the problem by breaking through the dividing wall.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

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First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.

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