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The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports.

For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief.

When Chance (Brian Presley) returns home after five years in jail, he is determined to escape his past, start a new life and make peace with his father, (Ed Harris, Golden Globe® winner), who is the head of the Aryan Brotherhood prison gang and serving a life sentence for murder. Upon his release, his dreams of a crime-free future begin to disintegrate when he is forced to assume his best friend's outrageous debt to a local mobster. Despite being thrust back into a world of organized fighting, drug dealing and ties to corrupt police agents, Chance falls in love with Pearl (Academy Award® nominee Taraji P. Henson) and the prospect of living a normal life seems almost within reach. But will he be able to escape the crimes of his father and his past?

After a failed bank robbery, two heavily armed men hold the Los Angeles Police Department at bay for 44 minutes.

Vegas Dick centers on a "former" con man who becomes a casino detective. However, his past may not be as far behind him as he thought. Now he must juggle his prior occupation with his present one.

A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based T.V. cop show.

Earl and Baby, two young lovers with a plan to escape their small Texas town. But when Baby's dim-witted cousin Junior gets tangled up in a whole heap of trouble, Earl has just 48 hours to save the day, rescue Junior and keep his promise to get his Baby to Los Angeles in time for sweeps.

The life and times of a group of twentysomething black gay men living in West Hollywood.

Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America's border with Mexico and known both to those who live on the "line" (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker's art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.

Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
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