Mae Madison

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Deputy Sheriff John Steele recruits bandit Sonora Joe to help him find out who's been bumping off all the local lawmen and rustling the cattle.

A farmer's widow takes on the land and her late husband's tempestuous son.

A prosecutor quits his job and becomes a defense attorney when he finds out that a man he got convicted and executed was actually innocent.

Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerton, after the famous detective agency, Adams probes into the mystery, but not before a second death.

A wealthy couple's marriage is falling apart due to the man's infidelity. The wife's male friend has long loved her and sees his big opportunity.

Among the travelers of varied backgrounds that meet and interact on one night at Union Depot, a metropolitan train station, are Chick and his friend Scrap Iron, both newly released from prison after serving time for vagrancy. Hungry and desperate for a break, Chick fortuitously comes across across a valise abandoned by a drunken traveler. In it he finds a shaving kit and a suit of clothes with a bankroll, which help transform the affable tramp into a dashing gent. After buying himself a meal, Chick seeks some female companionship among the many hustlers who walk the station. He propositions Ruth Collins, a stranded, out-of-work showgirl and takes her to the station's hotel.

A crippled puppeteer rescues an abused young boy and turns the boy into a great ballet dancer. Complications ensue when, as a young man, the dancer falls in love with a young woman the puppeteer is also in love with.

Working-class girl dreams of living a better life and forsakes her friends when she has a chance to break into high society.

Director Lloyd Bacon's 1931 drama takes a different look at the Broadway arena by focusing on the owners of a theatrical costume shop.