
Radu Jude is a Romanian film director and screenwriter born in Bucharest in 1977, known for his complex, often political, and anarchic films that explore historical memory, labor, and contemporary society. After graduating from film school, he worked as an assistant director and gained recognition for award-winning short films before directing his feature debut, The Happiest Girl in the World (200...
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In modern-day Transylvania, vampire hunts and labor strikes collide with sci-fi twists, romance, and AI-crafted tales, as multiple storylines blend folklore, classic horror, and contemporary elements into a fresh take on Dracula's legend.

In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.

Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire – a popular French character epitomizing the unscrupulous swindler – as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.

Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.

A documentary about the New Romanian Cinema. "Cinemaguerilla" brings together over 30 interviews with directors, producers, actors, film historians and critics about what unites and what separates the New Wave of Romanian films.
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