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Sickened to see his students always sleeping in class, a teacher with a colleague and an anarchist start a war against the television. They climbed on Paris roofs to coat the T.V. antennas with a special product cutting the signal reception.

Matou is an innocuous, gentle-looking man. He is married to a formidable, even a frightening woman, who is as dissatisfied with him as he is with her. He knows everything there is to know about restoring and authenticating manuscripts, particularly ancient ones, through his job at the museum. One day, it occurs to him that his skills could be put to use in a more personal way, and he embarks on a private career of re-arranging the documents of people who have had the misfortune to be married to the wrong people.

A writer discovers a link between a vegetarian restaurant and a series of mysterious deaths.

Myra, daughter of the circus king, has been kidnapped in South America. Or so her father believes. In reality, Miss Shumway has escaped into the Indian jungle in the company of a conjurer. Millan, a mischievous and adventurous journalist, tracks down the young woman in the Indian sector of Tamazunchale. They get to know each other and Myra tells the young man what drove her to flee her father. But she's run out of money and expects her adventure to come to an end soon. Then she meets a man named Doc, who suggests she contact an old Indian sorcerer.

Rival brother and sister Gaëtan and Chantal, the last heirs of the late billionaire financier Omar Porassis, use every trick in the book to try and claim his fabulous inheritance when two of Omar's natural sons, Roger and Marc, are found. The brother and sister try to manipulate Marc and Roger into stealing their inheritance. After discovering the deception, the two half-brothers join forces to escape the many traps set by Gaëtan and Chantal, who try to eliminate them by any means necessary.

Marc, a motorcycle brigadier, is engaged to the charming Véronique. But his future brother-in-law, the clumsy Roger, leader of a Sunday motorcycle gang, has set his sights on joining the motorcycle police.

Commissaire Perrache, the chief of the D.S.T., the French domestic intelligence service, tries to neutralize a group of terrorists named the Partisans de la Métropole. He sends one of his best agents, inspector Louis Vignon, incidentally the husband of his charming secretary Lucette, on the trail of an illegal transmitter. But Vignon gets kidnapped by the gang and held captive on a boat off the shores of Monaco...

He was nicknamed Gueule d'ange (Angel's Face) because of his good looks, which enabled him to make a certain amount of money from wealthy ladies. Having given up on touching little Marie, he fell into the clutches of fashionable decorator Loina. Both love money, both go for it. Their characters bind them together. So much so that when Loina falls on hard times, Gueule d'ange would fly to help her. A loyal friend stops him. Loina leaves. Distraught, the handsome boy looks inward. It's time for him to settle down.

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

Jacques Montet, a successful crime story writer, has already written a hundred books and would like to call it quits now to devote himself to loftier writing. But his wife, a cold-hearted, money-minded, bossy woman won't allow. All the more as she is the one who supplies Jacques with the plots of his detective stories. When Jacques, yearning for true love, meets young, pretty Muriel, he can't stand the situation any longer. Fortunately - for him - the plot of the 101st detective story imagined by his wife is about a ... perfect crime. He simply has to follow her instructions to ... get rid of her. Everything goes according to plan until Jacques discovers a scary detail: the presence of a mysterious witness on the scene of the crime.
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