Kida Khodr Ramadan

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

Jacky (30), who lives in Berlin, falls into a deep void after the death of her mother and losing her job. Unable to succeed in her attempt to commit suicide, she decides to hire a hitman. Unbeknownst to her, she meets Çello (33), the killer assigned to commit murder. Çello and Jacky fall in love with each other. The loving couple decides to go into hiding, but their happiness doesn’t last long. A major confrontation takes place at Madam Bora’s Pissoir Bar.

Haulage dispatcher Freddy Sternthaler suddenly finds himself hopelessly involved in an absurd dispute in the art scene and experiences what is probably the worst night of his life on an odyssey through Vienna.

Amal, Omar, and their son Ahmad are a happy Arab family living in Germany. At the playground, they encounter a man named Franz. The situation gets out of hand when Franz insults and attacks Amal because of her headscarf. The case goes to court, but an incident during the hearing changes everything for the family.

No plot available for this movie.

Paul, Julia and Lilly are a happy family, until Julia dies unexpectedly. For the sake of his daughter, Paul wants to function and suppress his grief. Lilly keeps challenging him with her imagination and her very own view of Mum's death.

Since Ben has been living apart from his ex-wife Mira and his children, his life has fallen apart. But unexpectedly, he gets a second chance: when Mira, pregnant to the teeth, has to be hospitalized, his children live with him again. This time, everything will be fine - he thinks! But his son Oskar brings a small problem: he wears a dress that he doesn't want to take off.

Turkish director Ali Vatansever weighs the human cost of politically motivated urban renewal in his achingly resonant second feature, about a young couple forced to compromise their ideals and work for the very industry encroaching on their Istanbul neighbourhood, in order to keep up with the rent.

Three years after his conviction for drug trafficking, Erich Kessel is about to be released from prison. It's a particularly trying time for this addiction-free former narcotics officer, whose seriously ill daughter has just died. With his wife, Claire, ready to give him a second chance after years of separation, and his former colleague and friend, Superintendent Mario Diller, having found him a job as a bartender, Kessel is determined to prove himself beyond reproach. But shortly before his release, the double murder of a young drug dealer and his fiancée, daughter of the powerful Syrian crime boss Walid Schukri, threatens to ruin his fine promises. The latter, who is serving a long sentence alongside Kessel, offers him a handsome sum to catch his daughter's killer. For the former commissioner, now broke, the temptation is great to accept this juicy contract, the ultimate investigation on the frontier of legality.

Two digital natives, an analogue stranger and two bike cops. A bearded oriental, a mysterious bag, an evil eye. Mario and Yunus are certain: they have discovered a real terrorist. You have to put a stop to it to save thousands of lives. But what if they are wrong?