Penelope Spheeris

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

The greatest cult horror and science fiction films of all-time are studied in vivid detail in the second volume of Time Warp. Includes groundbreaking classics like "Night of the Living Dead," and "The Texas Chainsaw Massacre," and sci-fi gems such as "Blade Runner," and "A Clockwork Orange."

From "The Rocky Horror Picture Show" to "The Big Lebowski" and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.

Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.

At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.

A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.

Legendary director Lloyd Kaufman, President of Troma Entertainment and Creator of the Toxic Avenger, reveals 40 years worth of maverick cinematic know-how in Direct Your Own Damn Movie! Lloyd offers you the magic key to operating outside the film studio system as well as providing you with the roadmap to script writing, pre-production, casting, managing your set, post-production and the secrets of selling you movie!

The story of American film criticism.

Aaron Roman is a teenager with cerebral palsy who dreams of starring in a big-time action movie. When his father grants Aaron his wish for his eighteenth birthday, he experiences the reality a bit hard to manage.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.