Ewa Dałkowska

Would-be bride and groom Weronika and Łukasz decide to give themselves a second chance and invite their family to the wedding and reception in a seaside town. Among the invited guests are Wanda and Tadeusz – with their dog, Mirelka, and also a divorcee, Małgorzata, accompanied by her much younger partner, Jan , and her mother. The sea, drinks, and nude sunbathers make the family members on both sides more open and ready to shed their masks.

Mika arrives in Poland to pay a hospital visit to her father, who is suffering from severe brain injury and memory loss. It's the first time they have met in many years, yet her father thinks they still live together and she's a teenager. For a brief time Mika becomes her father's companion in his befuddlement gently guiding him through the labyrinth of his fading mind. And as she does so, she sets off on a journey through her own life.

A storm causes damage to a bridge that connects the world of the living with the world of the dead. For this reason, the information about Maria’s own death reaches her with delay.

Vlogger Eryk documents his preparations for his bodybuilding debut. He is helped by the woman of his life: his overprotective mother, Teresa. Before the competition, Eryk meets Mona. As they go out on a date, the online world clashes with reality. But it is still less painful than Eryk's debut.

Zenia is an industrious Ukrainian migrant worker in Poland who makes house calls as a masseur to the needy and aspirational residents of a middle-class gated community near Warsaw. He is privy to all of their problems, anxieties and secrets – and something of an unwitting guru figure. Zenia’s grounded spirituality, apparent healing powers and broad shoulders make him an object of lust for many of the lost souls in the community.

Różewicz's play from 1968 is rather a dramatized picture, closer to the open formula of poetry than to the traditional dramatic structure. This is an important voice of a poet concerned about the future of the world. The drama shows a civilization threatened with extinction, dominated by consumerist ideals, mental emptiness, disappearance of authorities and moral decay. The title character symbolizes life, energy and the immutability of the basic laws of nature. In Barański's staging, he moves in a wheelchair. The piece consists of two parts. The first takes place in a botanical garden, the second in the scenery of a huge junkyard, which symbolizes modern civilization.

Is a party after a canceled wedding a recipe for disaster? It is. And what a disaster it is! Two families differ in everything - origin, status, wallet content, taste. The parents of the groom and bride are initially shocked. What did such a thing happen? Who was at fault? What about the wedding party? Should they welcome the guests? Play music? Pour the vodka? Who will cut the cake? From word to word, polite smiles turn into public washing of dirt. And finally a real bomb goes off... And in the meantime, the wedding party turns into a wild party. And no one is bothered by the absence of the newlyweds.

After a particularly embarrassing performance, a struggling Polish actor chooses to quit his acting troupe. In desperation, he returns home, only to find his dying mother has replaced him with a farm hand from a nearby mental institution. Alienated and depressed, he attempts to find his place in the world by driving out his replacement as completely as possible.

Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.

A busy attorney, worried that his anorexic daughter Olga, who is still grieving her recently deceased mother, might try to harm herself, sends her to see a psychiatrist who's dealing with her own loss in an unusual way.