Angelo Bruun

When a young woman falls in love with a gown in a shop window it leads to adventure and romance exceeding even her own vivid imagination.

Marianne is a sales assistant at the elegant fashion boutique Chez Madame on Strøget. She is a wallflower, and when the wealthy man of the world John Bagger, one of the store's customers, invites her out on New Year's Eve wearing the store's most beautiful dress, she experiences it as a romantic adventure. But everyday life returns after the big night.

Who decides where the cupboard should go in a marriage? The film begins with three cheerful movers, Karl, Fredrik, and Lasse, struggling with a pompous cupboard because an accountant and his wife cannot agree on where it should go. Of course, they eventually agree. Mrs. Accountant is the one who decides. As the three stable brothers drive the moving van away, they run over a young girl. Her name is Lone, and she is the daughter of the accountant they were moving for. She is taken to the hospital with a broken leg. However, love has also entered the picture.

A young, beautiful girl arrives at Krogerød Kro on Mols and shocks the innkeeper by telling him that he is her father. At the same time, the inn is about to lose its liquor license, threatening its very existence. The innkeeper tells the girl that both he and his friend from his military days have paid child support to her, as no one knew which of them was her real father.

At Vesterbros Torv in Copenhagen, Olsen has his newspaper kiosk. Here comes high and low in society: Homeless, a district attorney with pain in marriage, a barmaid and a writer. They all fight with theirs, while Olsen's good heart makes him interfere in everything he can.

A picture of the life of the Danish people from the late 1820s to the introduction of the free constitution in 1849. A fictional character, Rasmus Nielsen, travels around the country, first as a traveling teacher, later in other positions, and through his experiences we are introduced to the conditions of various population groups. The central figure in the portrayal of historical figures is the politician Orla Lehmann.

Danish noir crime drama with a poetic nerve. Two boys, Kristinus and Jakob (Rode and Neergaard) experienced a loveless and abusive childhood. Now as grown-ups, they are acting outside the law.

Soya's satirist take on variations of Danes, who willingly or unwillingly came to deal with German troops during the five year Second World War occupation.

Erik Menkel is released after six years, convicted of the murder of Viktor Smith. He is sought out by an old college friend of Smith's, who wants Menkel to finish Smith's work. At the same time, Menkel knew a young woman who is looking for him. Jerle lets Erik Menkel disappear so that no one knows Menkel is still alive. Barbara discovers that Menkel is living with Jerle and seeks him out. Jerle has a terrible secret.

A woman is found strangled in her shop. Shortly after, another murder is committed. Perhaps the most terrifying is that the both girls' name is Sonja. The police is convinced it's the same killer and at each scene is heard a woman singing the same song. A song which is soon dubbed the 'murder melody.'