Tanya Gomez

Generations of unspoken hurt begin to resurface when Ariel returns home after years of absence to spend All Saints' Day with her mother, Anita.

Twinkle is a single queer mother whose dream of officially adopting her son gets shaken when the boy's biological mother, Mara, unexpectedly reappears.

The Philippines, 1902. The land is raw, wounded, occupied. Smoke clings to the trees. Blood soaks the soil. The war is over – but the violence lingers. Widows fill the villages. Mothers vanish into silence. Among them walks Sisa (Hilda Koronel), barefoot and broken, dismissed as mad by those who fear what they don't understand. But madness is only the surface.

Iris, an 18-year old virgin marries Joaquin, a rich widower, because of money. However, when he learns that Iris is not really a virgin, their honeymoon turns to a bloodbath.

Young lovers chase their big city dreams but get tested by lust, addiction, and the hunger for money. Will their love survive, or will reaching for their dreams tear them apart?

Story of Eunice aka Moonlight Butterfly, the hottest GRO in Angeles, Pampanga and the three men in her life. She soon learns to play the game of lust and love in order to survive and provide for her family.

Three stories of haunting secrets, folklore, and urban legends.

"Ang MISYON" (A Marawi Siege Story) is a socio-political, action-packed narrative drama movie that showcases the current events in Mindanao, specifically in Marawi City. But the film deals more on the characters rather than the place, exposing another vantage point of interpreting the real story that occurred during the siege in the entire place. It highlights the complicated world of the protagonist-antagonist Muslim Registered Nurse SAJID TUMAWIL, who gets into the socio-political turmoil, instead of just being a staff nurse helping the ill and the sick in his hometown, only to be discovered by the military men that he belongs to the Extremist groups of Maute Islamiyah having a bipolar personality.

Liza is still drowning in grief from losing the love of her life when she receives a visit from the most unlikely person — her husband, who she left five years ago. With no questions asked and no conditions made, Anton invites her back to his and their two children’s lives.

The film set in a decadent world where even death becomes a provider. In a country where a cadaver may serve as license for holding a sakla operation (illegal gambling) in wakes, people may exploit the dead in order to generate income from the profits of gambling, and possibly pay for its burial. In Oros, a funeral parlor owner sells an unidentified body to Makoy, a kasero in a saklaan, who, along with his reluctant brother, Abet, set the stage for a three-week long fake wake holding the illegal saklaan. The sakla personnel deals with everyone involved, including Linda, an impoverished homeowner, as they agree upon a fictional story which will “legitimize” the wake.