Atom Egoyan

The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov's house becomes a place of inspiration and a point of no return to toxic reality.

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

Marc Labrèche, the Director of this documentary, himself an author, actor and host, meets other creators to ask them these questions that inhabit him. Do artists have an expiry date? Do we create our best works in our youth or, on the contrary, does experience allow us to develop a greater mastery of our medium? In this respect, are there important differences between the different forms of art such as music, cinema and literature?

No plot available for this movie.

Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images.

Home video changed the world. The cultural and historical impact of the VHS tape was enormous. This film traces the ripples of that impact by examining the myriad aspects of society that were altered by the creation of videotape.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Follows the first year of business for Alex, Charlie, and Nigel as they try to make their theatre, The Toronto Underground Cinema, a success in the dying world of repertory cinema. The film also places the cinema in context to the larger world of rep. Featuring interviews with theatres such as Film Forum in NYC, The Alamo Drafthouse in Austin, and The New Beverly Cinema in L.A., and celebrities such as Kevin Smith, John Waters, Atom Egoyan, and George A. Romero, the world of repertory cinema will come alive as a vibrant and culturally significant medium that needs to be preserved

The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.