Maria Schuster

Max Bretschneider pretends to be a communist in order to conduct the last interview with Erich Honecker.

Self-proclaimed directing talent Cowboy comes to Berlin with the aim of finally making a big movie. He confidently accepts every assignment, only for it to lead to disaster. When Cowboy meets the artist Yps and shoots an art porn film with her, he stirs up an artistic can of worms that far exceeds his amateurish qualities.

A man travels to Berlin because his ex girlfriend is in a coma. He takes their son, Manuel. The father goes to the clinic often and Manuel feels out of place, so he prefers to ride his skateboard through the city in winter. The speechless and motionless body of the woman disturbs father and son, each one in his own way. The son faces the libidinous turbulences of becoming an adult, while the father suffers the physical discomforts of his age. A confrontation of different body images within an environment of emotional distance and the coldness of the city.

What does inclusion mean for classmates, teachers, parents and for the people themselves? The inclusion of Steffi and Paul at the Rousseau School is proving difficult. Class teacher Albert firmly believes in the program. But Steffi bullies her classmates and makes little effort in class - while the retarded Paul tries hard but achieves little due to his slow comprehension skills. Overburdened teachers and concerned parents oppose the project. They believe that the more advanced pupils are being held back in their development. The situation comes to a head. Then an incident occurs.

When the owner of a fish store dies unexpectedly, a dispute breaks out over his inheritance. The youngest son continues to run the unprofitable store, while the second son and his mother want to sell it and invest the money in their multimedia business in Hamburg. When the young fishmonger falls in love with a pretty student, the cards are completely reshuffled.