Clotilde de Bayser

No plot available for this movie.

No plot available for this movie.

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

No plot available for this movie.

No plot available for this movie.

No plot available for this movie.

Olivier, Rémi and Pascale are three friends who have known each other since childhood. As they approach middle age, they each experience something of a crisis in their lives. Olivier, a doctor before becoming wheelchair bound, faces a bleak future after the break up of two relationships. The fact that Rémi and his wife Estelle are unable to have children puts an increasing strain on their marriage. And Pascale, a filmmaker, is on the point of leaving her husband to pursue an affair with an opportunistic career politician.

The poet Jean Sénac, also a radio host, chose to stay in Algeria after his country's independence in 1962. Ten years later, a protester and libertarian, he was monitored by the regime's police. His poems attract a popular audience and his show is a real success with young people. Also, when Hamid and Belkacem, two students, learn that the play they wrote and presented at the first national Algerian theater festival is downgraded under the pretext that they performed it in French, their pain will be alleviated by the presence behind the scenes by Jean Sénac who congratulates them. The latter will become close friends of the poet and witness his fight for the freedom and culture of Algerian youth. A fight which would lead Sénac to martyrdom: one night in August 1973, he was assassinated in the cellar which served as his apartment. Hamid is accused of the murder.

Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.

Antoine Rivière, a highly-reputed psychoanalyst, is visited by a new patient, Edouard Berg. When Berg claims to have killed his own wife, the doctor suspects he is a compulsive liar. How could he know that he has been caught in a trap and it's already too late for escape?