Robert Morin

A wounded moose escapes its hunters, later dying deep in the forest and becoming... a communal feast. As the seasons go by, mammals, birds and insects invite themselves to the banquet - multiplying ensuing games, rituals and conflicts. In exploring and occasionally foiling nature's wildlife codes, our story becomes a simple yet poignant reflection on death, on its natural place in this world and, by extension, on its deeper meaning and purpose - important lessons to explore at this time when the glorious paradises offered by religions tend to feel less and less credible.

In the early 2000s, following her return from a long stay abroad, Amélie invites her friends, Maude and Pascale, to a cottage. In a disturbing and isolated forest, Amélie tries to reconnect with her friend Maude, while the rivalry between her and Pascale takes a dark turn.

A well-respected plastic surgeon dedicated to helping patients with severe burns questions his career, his family…his perfect life and ultimately, his sanity when an encounter with a disgruntled patient triggers a psychological spiral no one can control.

Sent in Nunavik by a Deputy Minister, a cameraman who befriended the inhabitants of a small village realizes that the material he shot along the way will be used against the Natives to deport them.

Jean-Marc Phaneuf, an unmarried electrical engineer, travels to Burundi as a volunteer for the NGO Radio du Monde. He finds a country ruined by grinding poverty, famine, war, disease and appalling social inequality. At the same time, he meets a joyful, brave people hungry for happiness, knowledge and human dignity. The camera that becomes his personal diary also helps Jean-Marc expose the shaky, ineffective workings of NGOs. His investigations turn up a few praiseworthy examples of international cooperation, but on the whole he finds himself drawn to a terrible, inescapable conclusion: humanitarian aid is a utopian mirage. After falling victim to an attack and losing whatever ideals he still had, Jean-Marc becomes entangled in an impossible relationship. He is ultimately forced to leave Africa in disgrace.

Jean-Paul is a public servant, tired of toiling at his soul-destroying job. As a writer, he feels out of touch with the times and longs for inspiration.

On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

Two gangsters had a mission to start a case of arson, but instead they kidnapped the daughter of crazy mafia boss.

On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.

A man visits his elderly handicapped father on Christmas Eve with the intention of putting him on trial for crimes against his family and then executing him.