Lê Vũ Long

Tam, a diligent wedding venue staffer, discovers her husband’s affair on live TV. Rather than confronting him, she enlists a powerful spell master to win back his love. Tam’s daughter, Ha, pours her frustration into vivid fantasies of a brighter future abroad. Meanwhile, a mysterious House Spirit, visible only to the women, lurks beneath their cracked, leaky ceiling.

Mây, a fourteen year-old girl is being married as the third wife to a rich landowner in the late 19th century Northern Vietnam. A black & white version of The Third Wife with no dialogue and new music.

Though only 14 years old, May is selected to be the third wife of a wealthy landowner. Her new home seems idyllic, her husband favours her, and she quickly becomes pregnant with what she is certain will be the desired male progeny. But trouble is quietly brewing: she witnesses a forbidden tryst that will spark a chain reaction of misfortunes — and stir in May urges that until now had been dormant.

Thang is a Hanoi intellectual and graduates from university with high distinction causing his former teacher, Dao, to invite him to work in a mathematics institute of odd algorithms. He has problems because of his personality and refuses to give up his mathematical perspectives. He distinguishes himself as a person of integrity, which also causes problems for him.

A young woman struggles to move on from the consuming grief of her experience as a combat medic in the Trường Sơn mountains during Vietnam War .

Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.

An illiterate scheming peasant swindles whoever he can in order to provide for his family.