Alla Demidova

Crimea, 1787. Despite the Manifesto of the Russian Empress Catherine and the Kuchuk-Kainardzhi peace treaty, which forever united Crimea with Russia, Europe continues to weave intrigues, trying to break this sacred union. In the undercover struggle, all methods were used - from shameless gossip, dark rumors and false articles in newspapers to dirty manipulations with the illegitimate son of the empress sent to Europe for training - Alexei Bobrinsky, a passionate gambler and brawler. This weakness was cleverly exploited by international intriguers. Catherine instructs her faithful friends, the midshipmen, to cut the knot of the conspiracy ... Together with the fathers, their grown-up children, Shurka and Alexandra, go into battle.

Alla Demidova ranks among the greatest actresses to have graced the Russian-language stage over the past six decades, as well as screens big and small. She's famous for her tragic characters. Perhaps because she, above all, understands the world as a realm of worries and sorrow?

In the spring of 2017, the Investigation Committee conducted the first searches in the criminal case, which everyone now knows as the “Serebrennikov case”, “the Seventh Studio case” or “The Platform case”. Six people, among whom is a world-famous director, are accused of having stolen more than one hundred million rubles allocated for staging performances from the state. And for this they can go to jail for 10 years. Journalists Katerina Gordeeva and Roman Super tried to figure out the essence of this matter. We talked to people who know what theater is, including in terms of money. Studied financial documents. Communicated with those with whom no one had ever succeeded. They understood why the applause of the audience and the compliments of the Ministry of Culture turned into arrests. And of course, went to all court sessions.

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

From Alla Demidova's book "Akhmatova Mirrors": "When I began to decipher the "Poem without a hero", the more I found doubles in it, which, in turn, bifurcated and so on — to infinity (the same thing happens if you approach the wall of the mirror hall with a mirror and see in it an infinite a series of reflections), the more clearly I understood that it was probably not necessary to literally decipher it. Specific persons are not so important in the "Poem", the fragrance of time is important, because, among other things, a huge layer of culture of an entire epoch has entered into the "Poem", which for many young people today has become a long-past history."

A woman is paid a surprise visit by her long-forgotten classmate, who needs her advice: should he choose a wife or a lover? An outrageously burlesque mise-en-scène is repeated many times but each time in a different place and performed by new actors. Why?

A two-part documentary about the fraught relationship between Russian writer Viktor Shklovsky and émigré linguist Roman Jakobson.

The mistress of a once prosperous, but now frustrated estate, wants to improve her affairs at the expense of neighboring possessions belonging to the rich widow Evlampia Kupavina. The lady hatches an ingenious plan using forged documents in order to marry her wayward nephew Apollosha to the widow.

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

The film is dedicated to the tragic fate of the outstanding theater director, founder of the famous Chamber Theater Alexander Tairov. Tairov's performances "Princess Brambilla", "Phaedra", "Love under the Elms", "Optimistic Tragedy" have gained worldwide fame. In 1949, during the so-called struggle against cosmopolitans, Tairov was released from the leadership of the Chamber Theater, the theater was renamed. Unable to withstand this blow, shocked by the betrayal of the actors he raised, crushed by the harassment of the press, Tairov died a year later in a psychiatric clinic...